Music Producers Explain How They Created A Hit



When asked how to write a melody many songwriters say that they make up little bits of melody then put them together to make a song melody. When you sit down to write a song, it can be difficult to remove yourself from the initial syllables that your mind generates upon hearing the rhythm and chord structure of the piece. Sounds good, but let's give it some more rhythm in the second bar. Drums, especially in bass music, can really make a drop stand out, so it's important to get them right.

However, this is too long: we need notes half a beat - a quarter - long. Pick single notes throughout your entire chord progression to play a melody. You see, even though I really wanted to make beats, I had absolutely zero formal music training in my life. Unfortunately, things can be a bit ambiguous, especially when there are more then three notes in the chord.

So learn your musical forms, and your melodies will benefit immensely. Have a bass, a kick drum a bit higher in frequency, a snare higher, then human vocals, and then a couple of others a bit higher and panned around supporting the lead melody. In Option 1, the melody starts on the downbeat, which always tends to have a very complete, fulfilling type of feeling.

However, poems written in the past rarely fit any song that you might write in the future, unless you wrote the original piece in a specific meter and can write music to match. If you want to create your roll sounds within your step sequencer instead of going into the piano roll and editing the beats down you can expand your Steps per Beat” under Options > Project General Settings.

I'd like to suggest that play-list makers and gate-keepers are not only responding to the taste of mass audience, but rather they also help shaping it. If there is hope for melody lil uzi vert type beat instrumental to make a meaningful comeback, it is largely depending on the active participation of those play-list makers and music industry gate keepers in reshaping audience taste.

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